"Perspective is to painting what the bridle is to the horse, the
rudder to a ship.”
-Leonardo da Vinci
Linear Perspective
Art of the Middle
Ages
What parts of this painting
look most realistic to you?
What parts look least lifelike?
Which objects or people seem
closest and most distant in
the painting?
What clues does the artist
give that one object is further
away than another?
Wilton Diptych (c. 1395–99)
Filippo Brunelleschi
The first known
paintings in linear
perspective were made
by Brunelleschi in about
1425.
He devised a method for
representing objects in
depth on a flat surface by
means of using a single
vanishing point
Aspects of Perspective
According to Leonardo da Vinci, there are three
aspects to perspective:
The first has to do with how the size of objects
seems to diminish according to distance (linear);
The second, the manner in which colors change the
farther away they are from the eye (atmospheric);
The third defines how objects ought to be finished
less carefully the farther away they are
(atmospheric).
Horizon Line a.k.a.
Eye Level
A horizontal line across the
picture.
Always at eye level.
In art, we tend to use the
term 'eye level', rather than
'horizon' as in many
pictures, the horizon is
frequently hidden by walls,
buildings, trees, hills etc.
Vanishing Points
Vanishing points are dots
on the eye-level where
parallel lines seem to
converge and disappear.
Orthogonal lines
The line you draw from
the corner of an object to
the vanishing point.
Establishes the illusion of
a perpendicular line going
into the distance.
Should always be drawn
lightly at first because
usually, most of an
orthogonal will be erased.
Transversal lines
Always at right angles to the orthogonals.
Parallel to the picture plane and to one another.
Form the nearest and furthest edges of a rectangle as it recedes
from view.
Diminution
Objects appear smaller as their distance from the
observer increases.
Foreshortening
Occurs when an object
appears compressed
when seen from a
particular viewpoint,
and the effect of
perspective causes
distortion.
One Point Perspective
Uses a single
vanishing point to
draw an object.
Only the receding
orthogonal lines
change their
angles.
Christ Giving the Keys to Peter by Perugino.
Two Point Perspective
Uses two sets of orthogonal lines and two
vanishing points to draw each object.
Place de l’Europe on a Rainy Day, by Gustave Caillebotte
Three Point Perspective
Uses three sets of orthogonal
lines and three vanishing
points to draw each object.
Most commonly used when
drawing buildings viewed
from a low or high eye-level.
Vertical transversal lines now
form a third set of orthogonal
lines.
Ascending and Descending, M.C. Escher
atmospheric perspective
Gives the illusion
of depth by
lightening values,
softening details
and textures,
reducing contrast,
and neutralizing
colors in objects
that are further
away.
Frans Koppelaar, Landscape near Bologna, 2001

Linear Perspective

  • 1.
    "Perspective is topainting what the bridle is to the horse, the rudder to a ship.” -Leonardo da Vinci Linear Perspective
  • 2.
    Art of theMiddle Ages What parts of this painting look most realistic to you? What parts look least lifelike? Which objects or people seem closest and most distant in the painting? What clues does the artist give that one object is further away than another? Wilton Diptych (c. 1395–99)
  • 3.
    Filippo Brunelleschi The firstknown paintings in linear perspective were made by Brunelleschi in about 1425. He devised a method for representing objects in depth on a flat surface by means of using a single vanishing point
  • 4.
    Aspects of Perspective Accordingto Leonardo da Vinci, there are three aspects to perspective: The first has to do with how the size of objects seems to diminish according to distance (linear); The second, the manner in which colors change the farther away they are from the eye (atmospheric); The third defines how objects ought to be finished less carefully the farther away they are (atmospheric).
  • 5.
    Horizon Line a.k.a. EyeLevel A horizontal line across the picture. Always at eye level. In art, we tend to use the term 'eye level', rather than 'horizon' as in many pictures, the horizon is frequently hidden by walls, buildings, trees, hills etc.
  • 6.
    Vanishing Points Vanishing pointsare dots on the eye-level where parallel lines seem to converge and disappear.
  • 7.
    Orthogonal lines The lineyou draw from the corner of an object to the vanishing point. Establishes the illusion of a perpendicular line going into the distance. Should always be drawn lightly at first because usually, most of an orthogonal will be erased.
  • 8.
    Transversal lines Always atright angles to the orthogonals. Parallel to the picture plane and to one another. Form the nearest and furthest edges of a rectangle as it recedes from view.
  • 9.
    Diminution Objects appear smalleras their distance from the observer increases.
  • 10.
    Foreshortening Occurs when anobject appears compressed when seen from a particular viewpoint, and the effect of perspective causes distortion.
  • 11.
    One Point Perspective Usesa single vanishing point to draw an object. Only the receding orthogonal lines change their angles.
  • 12.
    Christ Giving theKeys to Peter by Perugino.
  • 13.
    Two Point Perspective Usestwo sets of orthogonal lines and two vanishing points to draw each object.
  • 14.
    Place de l’Europeon a Rainy Day, by Gustave Caillebotte
  • 15.
    Three Point Perspective Usesthree sets of orthogonal lines and three vanishing points to draw each object. Most commonly used when drawing buildings viewed from a low or high eye-level. Vertical transversal lines now form a third set of orthogonal lines.
  • 16.
  • 17.
    atmospheric perspective Gives theillusion of depth by lightening values, softening details and textures, reducing contrast, and neutralizing colors in objects that are further away. Frans Koppelaar, Landscape near Bologna, 2001

Editor's Notes

  • #15 Place de l ’ Europe on a Rainy Day, by Gustave Caillebotte