Blind & Pure Contour
    Line Drawing
Rather than using value and shadow to define
shape and form, a contour drawing uses LINES
  of different thickness to do the same thing.
Both of these drawings use line to define the subject of the
drawing. The drawing of the two leaves, however, also uses a
   variety of line weights to to better describe the way a leaf
   looks. Often the thickness of your line should change in
                 places where two lines intersect.
This portrait uses
 thick and thin as well
 as darker and lighter
 lines to better define
the face. Lines in this
   drawing tend to be
  thicker where there
   may have been a
        shadow.
This Warhol drawing
defines the cast shadow
with a contour line as
well. He also uses
different types of line to
define different areas--
look at the difference in
the line used to draw the
jagged edge of the lid
compared to the smooth,
accurate line of the can
opener.
In this Warhol
drawing he uses tiny
lines to make detail
that happens inside
the form of his foot.
This can be a good
way to show a
change on the
surface.
Obviously value has
been used in this
drawing on the areas
the artist found most
important. After
further inspection,
however, the contour
drawing used to
layout the rest of the
drawing is extremely
well drawn. Notice
how the folds of the
fabric appear to have
depth.
In this drawing the thick
and thin lines really
help to define the
shape of the body.
Areas that are darker
are achieved by
groupings of smaller
lines, suggesting
texture or a slight
shadow.
Egon Schiele is also a
master of contour
drawing. Look at how
he has used line to
define the crease in
the woman’s stomach.
Even technical drawings use line weight to help
accurately depict the subject. Notice how thinner,
lighter lines tend to be used to define areas where
the surface area changes.
This figure drawing also uses line weight
effectively. Notice how the rules of composition
            also play into this drawing.
To achieve variation in your lines you can press harder on
your pencil where you would like darker, thicker lines and use
less pressure for lighter lines. Pay attention to which pencil
you are using. ‘B’ pencils are softer and can have greater
variation in the lines they create. ‘H’ pencils are harder and
make lighter lines.
Similarly, this contour drawing of a still life uses
 different line weights to define changes in the
                surface of objects.
This contour
drawing uses two
composition
methods: the rule
of thirds and
treating each
corner differently.
While each object in this drawing is successfully
rendered, this is not a successful composition.
This still life also uses contour successfully and has
                   better composition.
                    Can you see why?
The drawing with the chair uses each corner of
 the composition differently, follows the rule of
thirds, and uses diagonal lines to lead the eye
               around the page.
This is not a very exciting drawing, but the entire page
  has been considered and the line weight helps to
          define foreground and background.
This student drawing uses contour nicely. Notice
  the light, thin lines on the Coke bottle. It also
makes a common composition mistake: ending an
         object at the edge of the page.
Pay particular attention to the level of detail you
 can capture with contour, but try to be just as
conscious about how you compose the drawing.
This drawing is much more interesting when the
      edges of the page are considered.
This is a beautiful student drawing-- it is well
 composed and contour is used effectively.
This is also a
successful student
drawing. Darker and
lighter lines lead the
eye around page.
This is a detail of the
same drawing. Pay
attention to the
incredible amount of
detail achieved through
contour!
As we begin our in-
class drawing, be
sure to remember to
consider your
composition and use
your contour line
weight to define
details.
This drawing has wonderful contour details. The boot
 has depth and form without any shading. Your goal
   should be to achieve dimension in your contour
Remember these drawings
as you work on your
homework assignment and
strive to make your drawing
even better!
Contour line

Contour line

  • 1.
    Blind & PureContour Line Drawing
  • 2.
    Rather than usingvalue and shadow to define shape and form, a contour drawing uses LINES of different thickness to do the same thing.
  • 3.
    Both of thesedrawings use line to define the subject of the drawing. The drawing of the two leaves, however, also uses a variety of line weights to to better describe the way a leaf looks. Often the thickness of your line should change in places where two lines intersect.
  • 4.
    This portrait uses thick and thin as well as darker and lighter lines to better define the face. Lines in this drawing tend to be thicker where there may have been a shadow.
  • 5.
    This Warhol drawing definesthe cast shadow with a contour line as well. He also uses different types of line to define different areas-- look at the difference in the line used to draw the jagged edge of the lid compared to the smooth, accurate line of the can opener.
  • 6.
    In this Warhol drawinghe uses tiny lines to make detail that happens inside the form of his foot. This can be a good way to show a change on the surface.
  • 7.
    Obviously value has beenused in this drawing on the areas the artist found most important. After further inspection, however, the contour drawing used to layout the rest of the drawing is extremely well drawn. Notice how the folds of the fabric appear to have depth.
  • 8.
    In this drawingthe thick and thin lines really help to define the shape of the body. Areas that are darker are achieved by groupings of smaller lines, suggesting texture or a slight shadow.
  • 9.
    Egon Schiele isalso a master of contour drawing. Look at how he has used line to define the crease in the woman’s stomach.
  • 10.
    Even technical drawingsuse line weight to help accurately depict the subject. Notice how thinner, lighter lines tend to be used to define areas where the surface area changes.
  • 11.
    This figure drawingalso uses line weight effectively. Notice how the rules of composition also play into this drawing.
  • 12.
    To achieve variationin your lines you can press harder on your pencil where you would like darker, thicker lines and use less pressure for lighter lines. Pay attention to which pencil you are using. ‘B’ pencils are softer and can have greater variation in the lines they create. ‘H’ pencils are harder and make lighter lines.
  • 13.
    Similarly, this contourdrawing of a still life uses different line weights to define changes in the surface of objects.
  • 14.
    This contour drawing usestwo composition methods: the rule of thirds and treating each corner differently.
  • 15.
    While each objectin this drawing is successfully rendered, this is not a successful composition.
  • 16.
    This still lifealso uses contour successfully and has better composition. Can you see why?
  • 17.
    The drawing withthe chair uses each corner of the composition differently, follows the rule of thirds, and uses diagonal lines to lead the eye around the page.
  • 18.
    This is nota very exciting drawing, but the entire page has been considered and the line weight helps to define foreground and background.
  • 19.
    This student drawinguses contour nicely. Notice the light, thin lines on the Coke bottle. It also makes a common composition mistake: ending an object at the edge of the page.
  • 20.
    Pay particular attentionto the level of detail you can capture with contour, but try to be just as conscious about how you compose the drawing.
  • 21.
    This drawing ismuch more interesting when the edges of the page are considered.
  • 22.
    This is abeautiful student drawing-- it is well composed and contour is used effectively.
  • 23.
    This is alsoa successful student drawing. Darker and lighter lines lead the eye around page.
  • 24.
    This is adetail of the same drawing. Pay attention to the incredible amount of detail achieved through contour!
  • 25.
    As we beginour in- class drawing, be sure to remember to consider your composition and use your contour line weight to define details.
  • 26.
    This drawing haswonderful contour details. The boot has depth and form without any shading. Your goal should be to achieve dimension in your contour
  • 27.
    Remember these drawings asyou work on your homework assignment and strive to make your drawing even better!