Abstract ExpressionismBy: Joe Wafer
What is it?Started in New York City during the mid 1940’sApplied paint rapidly to huge canvasesLooks as if accidental but is highly plannedNo effort to show subjectDrew from Surrealist methods of unconscious generation of ideasExpressive method of painting was as important as painting itself
Types of PaintingsTwo different types of paintingsAction painting and  Color field paintingAction Painting
Wanted to show texture in the paint
Showing movement of the artists hand
Color Field Painting
Concerned with color and shape
Wanted to create peaceful and spiritual paintings
No representative subject matterAction Painting TechniquesUsed large brushes & dribbled or splashed paint onto canvasUsed Large CanvasesWanted to achieve spontaneous effectVigorous, sweeping brushstrokes to show emotionWork placed emphasis on painting process itself rather than the finished pieceNo representative subject matterBelieved spontaneity could be drawn from unconscious mind (Surrealism)
Jackson PollockBegan to study paint in 1929 at the Arts Students’ LeagueFixed canvas on floor or wallDripped or splashed paint onto the canvasManipulated canvas with sticks, knives or towelsUsed Surrealist methods, generating ideas and creativity through the unconscious mind.
Jackson Pollock, Guardians of the Secret(1943)
Jackson Pollock, Blue (Moby Dick) (1943)
Jackson Pollock, Lavender Mist: Number 1 (1959)
Jackson Pollock, Blue Poles: Number II (1952)
Pollock Videohttp://www.youtube.com/watch?v=vy6Omz1bDPg
Willem de KooningStudied art from 1916 until 1924 at Rotterdam Academy of ArtsMoved to U.S. shortly after where he worked as a painter and carpenterDevoted himself entirely to painting in 1935Started first “Woman” paintings in 1950Did abstract landscapes from 1957-1961
Willem de Kooning, Asheville (1948)
Asheville-Depicted
Willem de Kooning, Woman and Bicycle, (1953)
Willem de Kooning, Woman I (1952)
Willem de Kooning, Woman V (1953)
Arshile GorkyNo formal training, studied the work of Cezanne, Picasso and MiróInfluenced by Surrealist ideas and Surrealist paintersMoved to America by 1920 and had his first solo art showing in 1931Successive tragedy; studio burning down and destroying work, surgery, car accident; led to his suicide in 1948Tragedies had effect on work
Arshile Gorky, The Artist and His Mother (1936)
Arshile Gorky, The Liver is the Cock’s Comb (1944)
Color Field Painting techniquesBroad areas of low contrast color on shallow picture planeSolid areas of color cover entire paintingInterested in effects of vast color filling the canvas “beyond infinity”Paintings are very largeMeant to be seen up close so viewer is immersed in color environment.Used color to create different effects on canvas
Mark RothkoVisited Arts Students League of New York where he began art career.Instructed by Arshile GorkyInfluenced by ClyffordStill1928 had own showing with other young artists
Mark Rothko, Untitled (1949)
Mark Rothko, No. 61: Rust and Blue (1953)
Mark Rothko, Untitled Orange and Yellow (1956)
Mark Rothko, Red on Maroon (1959)
ClyffordStillFirst solo show in San Francisco Museum of ArtTaught at California School of Fine ArtsWorked with Mark RothkoStayed away from the influences of SurrealismDidn’t give names to his paintings to prevent any association with a specific subject

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