Pop-art
Lopez, Margio & Ong, Paulina
Synopsis
- Pop art is an art movement that surfaced during the
1950’s
- It soon flourished in the 1960’s in America and Britain
- Inspiration was drawn drawn from popular and
commercial culture which reintroduced identifiable
imagery
- The subject matter was a shift in direction from the
traditional artsy themes of morality, religion, history and
mythology to pop’s presentation of everyday life, common
objects
- It was popularized by artists from New York: Andy Warhol,
Roy Lichtenstein, James Rosenquist and Claes
Oldenburg
- It has developed into the most recognizable style of
modern art
Beginnings
- During the 1950’s, America’s popular style was abstract
expressionism. It was admired by critics and art lovers but
it failed to connect with the general public or with many
artists. So with its painterly, abstract and expressive style,
a new style was, pop-art.
- The first application of the term pop-art happened during
talks among artists who call themselves the Independent
Group.
Key Ideas and Concepts
- Pop-art appreciates popular culture
- It features recognizable imagery from popular media
and products
- Rejects traditional or scholarly art in favor of popular
pictures of well known subjects
- It gives ordinary people to instantly recognize and
appreciate the exhibit
- A form of art with an instant meaning.
- “Art can be made from anything”
- A mirror to society
- A reflection of American consumerism
- Food, cars, romance
- Brash, satirical, imagery with strong visual impact
- Postmodernism
- The art movement have been more concerned not with
expressing reality but with impact, medium and style
- It blurred the line between art and demonstration,
beauty and entertainment
Leading Artists and Their
Styles
Andy Warhol (1928-1987)
- His drawing were comic, decorative and whimsical
- Works explore artistic expression, celebrity cluture and
advertising
- Medium: painting, silkscreening, photography, film,
sculpture
Roy Lichtenstein (1923-1997)
- Inspired by comic strips
- Which were greeted with accusations of lack of
originality and even copying
- Signaturely uses Ben-Day dots
- His method of creating images blended aspects of
mechanical reproduction and drawing by hand
James Rosenquist (1933-2017)
- Best known for his large collage paintings of
fragmented images borrowed from ads and mass
media
- His paintings reflect his social, political and cultural
concerns
- His early works also reveal his concerns of
consumer culture rising in America
Claus Oldenburg (1929-
present)
- He is known for his so called soft-sculptures
- These are made of papier maches, plaster models
and soft fabrics that are made to resemble diner
food, cheap clothing and other mass produced
things
Jim Dine (1935-present)
- Strong graphic style, bright colors and straightforward,
popular imagery which are often connected to pop-art
- He personally would deny his connection to pop-art
and sees his own work as and extension of Neo-
dada art, questioning the power of iconic symbols
rather than a celebration of them
Popular
Works
See no Evil, Hear No Evil, Speak No Evil by
Medium: Offset
Lithograph
Year: 1986
Interiori II by Richard
Medium: Oil paint,
cellulose paint and
printed paper on
board
Year:1964
Adam & Eve by Romero
Medium: Mixed
media on
canvas
Year:1963
Confetions by Wayne
Medium: Oil on
canvas
Year: 1962
One Man Track Team by
Medium:
Printed papers
on paper
Year: 1953
LOVE by Robert
Medium:
Screenprint
Year: 1967
Further Developments
- Pop art would continue to influence artist in the later
decades
- Like Andy Warhol who maintained a presence within the
New York art world into the 1980s
- The art movement soon lost its popularity in the 70’s but
soon resurfaced again in the late 70s and early 80s
- On of the leading figures in this Neo-pop movement was
Jeff Koons and Takashi Murakami
Influence and Legacy
- Pop-art was and still is one of the most popular styles of
art
- It succeeded in becoming popular to the general public
which only a few modern art movements succeeded in
doing
- It brought society closer to art
- It introduced silk screen painting
Filipino Pop
Art
Anne
Curtis by
Chris
Gool
Medium:digital
Year: 2012
Pound for Pound King
by Vincent Rhafael Aseo
Medium: digital
Year : 2011
Ang Babae sa
Septic
Tank Poster
by J.P. Cuison
Medium: digital
Year: 2011
Donald Trump by
Elmer Padilla
Medium: sculpture
Year: 2017
Strengths and Weaknesses
Strengths
+ It’s familiar to audiences
and thus making it really
popular
+ It is easy to understand
most of the meanings
behind them
+ It brought more people
Weaknesses
- It is prone to plagiarism
accusations
- Some might see it as
copying
Alan Cumming on Pop Art | Unlock Art:
https://www.youtube.com/watch?v=lHBm8_ooPVo
Understanding Pop Art | ARTiculations:
https://www.youtube.com/watch?v=BJ6p5hI3nUU
Sources
http://www.tate.org.uk/art/art-terms/p/pop-art
http://www.visual-arts-cork.com/history-of-art/pop-art.htm#origins
http://www.theartstory.org/artist-dine-jim.htm
http://www.artmovements.co.uk/popart.htm
https://www.thoughtco.com/pop-art-art-history-183310

Pop art

  • 1.
  • 2.
    Synopsis - Pop artis an art movement that surfaced during the 1950’s - It soon flourished in the 1960’s in America and Britain - Inspiration was drawn drawn from popular and commercial culture which reintroduced identifiable imagery - The subject matter was a shift in direction from the traditional artsy themes of morality, religion, history and mythology to pop’s presentation of everyday life, common objects
  • 3.
    - It waspopularized by artists from New York: Andy Warhol, Roy Lichtenstein, James Rosenquist and Claes Oldenburg - It has developed into the most recognizable style of modern art
  • 4.
    Beginnings - During the1950’s, America’s popular style was abstract expressionism. It was admired by critics and art lovers but it failed to connect with the general public or with many artists. So with its painterly, abstract and expressive style, a new style was, pop-art. - The first application of the term pop-art happened during talks among artists who call themselves the Independent Group.
  • 5.
    Key Ideas andConcepts - Pop-art appreciates popular culture - It features recognizable imagery from popular media and products - Rejects traditional or scholarly art in favor of popular pictures of well known subjects - It gives ordinary people to instantly recognize and appreciate the exhibit - A form of art with an instant meaning. - “Art can be made from anything”
  • 6.
    - A mirrorto society - A reflection of American consumerism - Food, cars, romance - Brash, satirical, imagery with strong visual impact - Postmodernism - The art movement have been more concerned not with expressing reality but with impact, medium and style - It blurred the line between art and demonstration, beauty and entertainment
  • 7.
    Leading Artists andTheir Styles
  • 8.
    Andy Warhol (1928-1987) -His drawing were comic, decorative and whimsical - Works explore artistic expression, celebrity cluture and advertising - Medium: painting, silkscreening, photography, film, sculpture
  • 9.
    Roy Lichtenstein (1923-1997) -Inspired by comic strips - Which were greeted with accusations of lack of originality and even copying - Signaturely uses Ben-Day dots - His method of creating images blended aspects of mechanical reproduction and drawing by hand
  • 10.
    James Rosenquist (1933-2017) -Best known for his large collage paintings of fragmented images borrowed from ads and mass media - His paintings reflect his social, political and cultural concerns - His early works also reveal his concerns of consumer culture rising in America
  • 11.
    Claus Oldenburg (1929- present) -He is known for his so called soft-sculptures - These are made of papier maches, plaster models and soft fabrics that are made to resemble diner food, cheap clothing and other mass produced things
  • 12.
    Jim Dine (1935-present) -Strong graphic style, bright colors and straightforward, popular imagery which are often connected to pop-art - He personally would deny his connection to pop-art and sees his own work as and extension of Neo- dada art, questioning the power of iconic symbols rather than a celebration of them
  • 13.
  • 14.
    See no Evil,Hear No Evil, Speak No Evil by Medium: Offset Lithograph Year: 1986
  • 15.
    Interiori II byRichard Medium: Oil paint, cellulose paint and printed paper on board Year:1964
  • 16.
    Adam & Eveby Romero Medium: Mixed media on canvas Year:1963
  • 17.
    Confetions by Wayne Medium:Oil on canvas Year: 1962
  • 18.
    One Man TrackTeam by Medium: Printed papers on paper Year: 1953
  • 19.
  • 20.
    Further Developments - Popart would continue to influence artist in the later decades - Like Andy Warhol who maintained a presence within the New York art world into the 1980s - The art movement soon lost its popularity in the 70’s but soon resurfaced again in the late 70s and early 80s - On of the leading figures in this Neo-pop movement was Jeff Koons and Takashi Murakami
  • 21.
    Influence and Legacy -Pop-art was and still is one of the most popular styles of art - It succeeded in becoming popular to the general public which only a few modern art movements succeeded in doing - It brought society closer to art - It introduced silk screen painting
  • 22.
  • 23.
  • 24.
    Pound for PoundKing by Vincent Rhafael Aseo Medium: digital Year : 2011
  • 25.
    Ang Babae sa Septic TankPoster by J.P. Cuison Medium: digital Year: 2011
  • 26.
    Donald Trump by ElmerPadilla Medium: sculpture Year: 2017
  • 27.
    Strengths and Weaknesses Strengths +It’s familiar to audiences and thus making it really popular + It is easy to understand most of the meanings behind them + It brought more people Weaknesses - It is prone to plagiarism accusations - Some might see it as copying
  • 29.
    Alan Cumming onPop Art | Unlock Art: https://www.youtube.com/watch?v=lHBm8_ooPVo Understanding Pop Art | ARTiculations: https://www.youtube.com/watch?v=BJ6p5hI3nUU
  • 30.