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Constructivism
Constructivism originated in Russia in the 1920s as an art movement that combined mechanical objects into abstract structural forms and influenced architecture and design. It rejected art for art's sake and instead promoted social ideas and practices. Key figures included Tatlin, considered the founder, and Rodchenko, Popova, and Gabo, who pioneered Constructivist sculpture, painting, photography and more. The movement emphasized dynamic human experience and possibilities over static forms but was limited by its association with Communism. It influenced modern design and architecture through its use of industrial materials and bold shapes.
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Constructivism
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- 4. Introduction Constructivism is styleor movement in which assorted mechanical objects are combined into abstract mobile structural forms. The movement originated in Russia in the 1920s and has influenced many aspects of modern architecture and design.
- 6. Beginnings It was thefinal and the most influential art movement in Russia. During the 20th century, it evolved just as the Bolsheviks came to power. Borrowing ideas from Cubism, Suprematism, Futurism. It was key in sparking the hopes and ideals of the revolution’s goals.
- 7. Key Ideas andConcepts The Idea behind Constructivism is to reject art for the sake of art. It instead promotes social ideas and practices. It focused on Architecture and Design.
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- 9. Vladimir Tatlin (1885-1953) Oftencalled as “The Father of Constructivism”. He was also known as important artist of the Soviet avant-garde art movement of the 1920s
- 10. Lyubov Popova (1889-1924) LyubovPopova was an eminent Russian avant-garde artist, painter, and designer. Her work was important for several modern styles, including Cubism, Suprematism, and Constructivism.
- 11. Alexander Rodchenko (1891-1956) Oneof the first active members and founders of the art movement. He was an artist, sculptor, photographer and graphic designer. “BOOKS; in all branches of knowledge”
- 12. Naum Gabo (1890-1977) ARussian sculptor associated with the Constructivist movement, and pioneered in Kinetic sculpture. Gabo was a key avant-gardist in post- revolutionary Russia.
- 13. Konstantin Medunetsky (1899-1935) TheStudent of Vladimir and Rodchenko at Vkhutemas. And the founder of OBMOKHU (Society of Young Russian Artists)
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- 15. Corner Counter Relief (1914) Thiswork of Tatlin is based from Cubism and turning it into Constructivism. conforms neither to the conventional format of painting or sculpture, because Constructivism would aspire to display those old fashioned forms. Sculpture; metal sheets/wire/etc. 28 x 46 ½ in; 71 x 118 cm
- 16. Design for the Monumentto the Third International (1919-1920) Also known as Tatlin’s Tower. This tower was designed by Vladimir Tatlin also the first art work to start the movement. This design is also a functional conference space and propaganda for the Communist Third International or Comintern. Steel*; 22 ft.; 6.7m
- 17. Pure Red Color, PureYellow Color, Pure Blue Color This artwork by Alexander Rodchenko is the first of its kind. Colors are meant to be used to describe an object. Instead it is used as it is, just a color. Oil on canvas; 24 5/8 x 20 11/16” (62.5 x 52.5 cm )
- 18. Constructed Head No.2 This iscreated by Naum Gabo. This betrays the constructivist idea by using the material to form a figure instead of showing the beauty of the material. It was the choice of material that gives its Constructivist ideas. Giving it a machine look. Steel; 1760 x 1240 x 1243 mm
- 19. Proun Room Lissitzky leanedin more with the Suprematist movement but still uses constructivism. In this piece he tried to make an artwork three- dimensional. The contrast of the light and the dark make the object look like they’re floating. Painted wood 320 x 364 x 364 cm
- 20. Textile Design One ofLyubov Popova’s textile designs. The importance of this piece is that it showed that women played a significant role in an avant garde era dominated by men. Textile Design c.1924 Pencil and ink on paper 234 x 191 mm
- 21. Beat the Whites witha Red Wedge Lissitzky’s earliest attempts to propagandist art. Here Lissitzky uses his signature coded color combination of red, white and black, which reinforces the message indicated by the work's title. Colors and shapes take on directly symbolic significance. Lithograph 51 x 62 cm (20 1/16 x 24 7/16 in.)
- 22. Later Developments After therising success of Constructivism with the newly issued, Constructivist Manifesto. The Theory of Productivism soon followed banning the use of easel art in favor of industrial design work. This caused famous Constructivist artists like Naum Gabo to flee to other countries. Stalin soon favored a new and more natural art form (Social Realism) and other avant-garde art forms were deemed as subversive. Constructivism is still being used today, especially in architecture, with its unique design for buildings and other things in media. As well as in design with its bold and striking designs.
- 23. Influences and Legacy Constructivistswould later spread their art form to the world such as Germany and England. It also had a great influence on some modern masters of Latin America and Australia. Graphic designer Neville Brody used styles based on Constructivist posters that sparked a revival of popular interest. During the 1980s, The Designers Republic, a successful and influential design company which used constructivist principles was founded.
- 24. Evaluation Strengths Constructivism emphasized thedynamic structure of human experience. Focused on possibilities, human resilience, and the promise of lifelong change. Weaknesses The art form was too foreign and unique outside of the Communist movement, which prevented it from spreading outside of Russia until much later on. It also tried to do the opposite of what art was intended for.
- 25. Philippine Art InspiredBy Constructivism
- 26. Spring Collection Many ofPete Jimenez’ works consisted of metal sculptures, but this series stood out with its seemingly Constructivist design. Spring Collection By Pete Jimenez
- 27. Kristo The use ofthe materials in this sculpture by Jinggoy Salcedo shows a clear connection to Constructivism. Stainless on Glass; 8.5″L x 9.5″W x 15.5″Ht
- 28. School of Design andArts Building Though more evidently of Cubist/ Futurist influence, some elements of Constructivism is present in the design of the SDA. Its complex design yet simple boxy figure is a popular theme with Constructivist artists. Architect Eduardo Calma
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