The   Elements
and   Principles
      of Art
The Elements of Art

    The building blocks
    or ingredients of art.
LINE



              A mark with length and direction.
              A continuous mark made on a surface
              by a moving point.


Ansel Adams               Gustave Caillebotte
Pablo Picasso
COLOR


      Consists of Hue (another word for color),
      Intensity (brightness) and Value (lightness
      or darkness).

                                Alexander Calder


Henri Matisse
VALUE



        The lightness or darkness of a color.




MC Escher                   Pablo Picasso
SHAPE



An enclosed area defined and determined
by other art elements; 2-dimensional.




                                          Joan
                                          Miro
Gustave Caillebotte
FORM


           A 3-dimensional object;
           or something in a 2-dimensional artwork
           that appears to be 3-dimensional.

       For example, a triangle, which is 2-dimensional, is a
       shape, but a pyramid, which is 3-dimensional, is a form.


Jean Arp                              Lucien Freud
SPACE
The distance or area between, around, above, below,
or within things.




                                   Robert Mapplethorpe
                                   Positive (filled with
                                   something) and Negative
Claude Foreground,
       Monet    Middleground and
                                   (empty areas).
     Background (creates DEPTH)
TEXTURE


The surface quality or "feel" of an object, its
smoothness, roughness, softness, etc. Textures
may be actual or implied.
Cecil
Buller
The Principles of Art
  What we use to organize the
       Elements of Art,
    or the tools to make art.
BALANCE


    The way the elements are arranged to
    create a feeling of stability in a work.




Alexander Calder
Symmetrical Balance




               The parts of an image are organized
                so that one side mirrors the other.




Leonardo DaVinci
Asymmetrical Balance




                   When one side of a composition does
                   not reflect the design of the other.



  James Whistler
EMPHASIS




   The focal point of an
   image, or when one
   area or thing stand
   out the most.


Jim Dine                   Gustav Klimt
CONTRAST



              A large difference between two
              things to create interest and tension.


                               Salvador Dali
Ansel Adams
RHYTHM
                        RHYTHM
                        RHYTHM
 A regular repetition   RHYTHM
 of elements to
 produce the look and   RHYTHM
 feel of movement.      RHYTHM

                        and
Marcel                  MOVEMENT
Duchamp
Vincent VanGogh
PATTERN
and Repetition       Gustav Klimt




 Repetition of a design.
UNITY

When all the
elements and
principles
work together
to create a
pleasing
image.
                Johannes Vermeer
The use of
                    differences and
                 change to increase
               the visual interest of
                          the work.




                      VA R       IET    Y
Marc Chagall
PROPORTIO               N




              The comparative
              relationship of one part to
              another with respect to size,
              quantity, or degree; SCALE.


  Gustave
Caillebotte

Elementsandprinciples

  • 1.
    The Elements and Principles of Art
  • 2.
    The Elements ofArt The building blocks or ingredients of art.
  • 3.
    LINE A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebotte
  • 4.
  • 5.
    COLOR Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness). Alexander Calder Henri Matisse
  • 6.
    VALUE The lightness or darkness of a color. MC Escher Pablo Picasso
  • 7.
    SHAPE An enclosed areadefined and determined by other art elements; 2-dimensional. Joan Miro
  • 8.
  • 9.
    FORM A 3-dimensional object; or something in a 2-dimensional artwork that appears to be 3-dimensional. For example, a triangle, which is 2-dimensional, is a shape, but a pyramid, which is 3-dimensional, is a form. Jean Arp Lucien Freud
  • 10.
    SPACE The distance orarea between, around, above, below, or within things. Robert Mapplethorpe Positive (filled with something) and Negative Claude Foreground, Monet Middleground and (empty areas). Background (creates DEPTH)
  • 11.
    TEXTURE The surface qualityor "feel" of an object, its smoothness, roughness, softness, etc. Textures may be actual or implied.
  • 12.
  • 13.
    The Principles ofArt What we use to organize the Elements of Art, or the tools to make art.
  • 14.
    BALANCE The way the elements are arranged to create a feeling of stability in a work. Alexander Calder
  • 15.
    Symmetrical Balance The parts of an image are organized so that one side mirrors the other. Leonardo DaVinci
  • 16.
    Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
  • 17.
    EMPHASIS The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
  • 18.
    CONTRAST A large difference between two things to create interest and tension. Salvador Dali Ansel Adams
  • 19.
    RHYTHM RHYTHM RHYTHM A regular repetition RHYTHM of elements to produce the look and RHYTHM feel of movement. RHYTHM and Marcel MOVEMENT Duchamp
  • 20.
  • 21.
    PATTERN and Repetition Gustav Klimt Repetition of a design.
  • 22.
    UNITY When all the elementsand principles work together to create a pleasing image. Johannes Vermeer
  • 24.
    The use of differences and change to increase the visual interest of the work. VA R IET Y Marc Chagall
  • 25.
    PROPORTIO N The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. Gustave Caillebotte