Acrylic Painting
    Tips and Techniques
Start with observation and a careful
              sketch.
It is very difficult to change shape and placement
  once painting begins, so take your time on this
step to get things exactly the way you want them.
Use a grid to help sketch difficult subjects.
All objects in your painting will have at least
                 three tones:

      Highlight, Mid-tone, and Shadow
Observe your subject, note the colors you see!
Start with simplified shapes of tone:
Where are the highlights, mid-tones, and
               shadows?
You can leave defined shapes of highlight,
mid-tone, and shadow, or you can blend them
       together using a clean brush.
Always paint
large shapes of
  color first!
    Include your
highlights, mid-tones,
    and shadows!

Wait until this layer
  is dry, then add
 small shapes and
details on the next
       layer.
You may choose to tone your canvas with a sepia wash for a warmer look.




You can create a grisaille, or tonal study in sepia, before you add a local color layer.
Continue adding
                           highlights and shadows
                            to each shape of local
                                   color...




   ...until you have
created a wide range of
tones and hues. Check
to make sure you have
 areas that are bright
 white, as well as deep,
    dark shadows.
Use warm tones in highlights,
       and cool tones in shadows.
This technique can be used with highly saturated colors,
like the painting on the left, or with subdued tones, like
   the ones in the Lucien Freud painting on the right.
No two people will ever paint in exactly the same style!
These tips are suggestions and guidelines- you’ll find the process that works best for you!
Don’t worry if your painting looks quite different from your classmate’s work- it’s
                natural-and that’s what makes your work unique!

Paintingtips

  • 1.
    Acrylic Painting Tips and Techniques
  • 2.
    Start with observationand a careful sketch. It is very difficult to change shape and placement once painting begins, so take your time on this step to get things exactly the way you want them.
  • 3.
    Use a gridto help sketch difficult subjects.
  • 4.
    All objects inyour painting will have at least three tones: Highlight, Mid-tone, and Shadow
  • 5.
    Observe your subject,note the colors you see!
  • 6.
    Start with simplifiedshapes of tone: Where are the highlights, mid-tones, and shadows?
  • 7.
    You can leavedefined shapes of highlight, mid-tone, and shadow, or you can blend them together using a clean brush.
  • 8.
    Always paint large shapesof color first! Include your highlights, mid-tones, and shadows! Wait until this layer is dry, then add small shapes and details on the next layer.
  • 9.
    You may chooseto tone your canvas with a sepia wash for a warmer look. You can create a grisaille, or tonal study in sepia, before you add a local color layer.
  • 10.
    Continue adding highlights and shadows to each shape of local color... ...until you have created a wide range of tones and hues. Check to make sure you have areas that are bright white, as well as deep, dark shadows.
  • 11.
    Use warm tonesin highlights, and cool tones in shadows. This technique can be used with highly saturated colors, like the painting on the left, or with subdued tones, like the ones in the Lucien Freud painting on the right.
  • 12.
    No two peoplewill ever paint in exactly the same style! These tips are suggestions and guidelines- you’ll find the process that works best for you! Don’t worry if your painting looks quite different from your classmate’s work- it’s natural-and that’s what makes your work unique!