Intro
to
Clay

  Please
do
not
throw,
misuse
or
waste
clay
–
it
is

      very
expensive!


     DO
NOT
DUMP
SLIP
DOWN
THE
DRAINS!!!!!!!.


      Scrape
excess
slip
into
the
slip
bucket



     Please
scrape
clay
from
tools,
wooden
trays
and

      tables
into
garbage
can
at
the
end
of
every
class


     Keep
your
clay
wrapped
in
plastic
every
time
you’re

      not
using
it.

Don’t
leave
it
unwrapped
for
more

      than
15
minutes
or
it
will
crack
and
split


     ABSOLUTELY
NO
FOOD
OR
DRINK
IN
CLASSROOM.

      This
is
more
for
your
health
than
anything
else

Tools
you
may
need
to
work
with
clay:

•  A
fettling
knife

•  A
fork

•  A
water
container
with
a
little
water
in
it

•  A
rolling
pin
(not
a
mallet)

•  A
board
to
work
on

•  A
needle
tool
or
white
plastic
tool
with
a
sharp

   end

•  Ribbon
tools

Safety
and
Clean
up

• Do
not
get
clay
on
the
floor
to
prevent
excess

dust


• Do
not
take
clay
out
of
room


• Do
wash
the
table
with
a
sponge
and
water
3

times
drying
with
towel
in
between


• Wipe
tools
down
after
using

 Wheel‐Throwing
(In
a
few
weeks)


  Handbuilding

   
 Slab
Technique

      
   
 Coiling

      
   
 Pinching

      
 Surface
Design

   
  Piercing

   
  Incising

   
  Applique

   
  Impressing

Preparing
the
clay
for
use

 by
kneading.

This
removes

 air
bubbles,
and
aligns
the

     clay
particles,
which

     increases
plasticity.


 Plasticity
is
the
property
of

   clay
that
allows
it
to
be

 worked
and
reshaped.

Old

  clay
that
is
unfired
can
be

re‐wedged
and
re‐used
over

           and
over.

Hand
building
technique:

Joining
flat
sheets
of
clay
together
to
create
a

              something
out
of
clay

Slabs
can
be
wrapped
and
draped
to

 create
round
and
curved
objects
as

         well
as
straight
sides

Slabs
can
be

used
overtop

molds
to
create

the
shape
of
the

mold

What
part(s)
of
a
goblet
might
we
use

the
slab
technique
to
create
(cup,
stem

               or
base?)



       How
would
we
do
this?

Cut
a
rectangle
out
of
a
piece
of
scrap
paper
using
a

ruler.

Make
the
horizontal
measurement
of
it
the
size

             of
your
goblet
stem’s
height.

Roll
out
a
slab
by
semi‐flattening
a
piece
of
clay
onto

 the
board.

Set
up
the
slab
sticks
on
either
side
and

use
your
rolling
pin
to
roll
out
a
slab.

The
sticks
allow

        for
a
consistent
thickness
throughout.

Flip
your
slab
every
few
rolls
of
the
pin
to
keep
it
from

                 sticking
to
the
board

Make
sure
your
slab
will
fit
the
size
of

       your
rectangle
template.

Put
the
template
on
the
slab
and
use
the

    fettling
knife
to
cut
the
rectangle.

Save
any
good
size
slabs
you
have
left
for

practice
later.

Re‐wedge
small
scraps
and

   place
at
the
edge
of
your
board
for

        reinforcing
seams
later
on.

Bevel
the
edge
of
your
rectangle

by
holding
the
fettling
knife
at
a

45
degree
angle
and
sliding
it

down
the
edge
of
your
slab

Beveled
edges,
when
aligned,

create
a
tighter
seam
than
two

90
degree
angles
pressed

together

Beveled
edges,
when
aligned,
create
a
stronger

seam
than
two
90
degree
angles
pressed

together









Bevel 
 
 
 
A
   
 
 
 
 
 
 





90

degrees

A
very
wet
form
of
clay,
used
as
an
adhesive

  between
two
pieces
of
clay
to
join
them
to
one

                    another.

 Make
slip
by
adding
tiny
bits
of
unfired
clay
into
a

 little
bit
of
warm
water.

Stir
together
until
it
has

the
consistency
of
thick
tomato
soup.
You
may
also

use
scrap
clay
in
water
left
overnight
to
create
slip.

This
is
what
you
do
to
connect
two
pieces
of
clay

together.

It
is
done
by
scratching
the
two
surfaces

that
are
to
be
connected
with
a
fork,
applying
slip

  to
both
with
your
fingers
or
a
spoon,
and
then

    pressing
the
two
together
to
adhere
them.



Score
the
two
edges
of
your
rectangle
you
plan
to

         slip
together
to
create
the
stem


Score
deeply
enough
to
give
a
real
tooth
the
clay

    so
that
the
two
edges
can
bond
together


Add
a
good
amount
of
slip
and
carefully
align
the

  two
edges
to
form
a
cylinder
for
your
stem


Once
created,
set
aside
to
let
the
air
cure
the
clay

   and
bit
to
make
it
less
fragile
to
work
with

Handbuilding
Technique

Typically
used
to
make
bowls,

   cups
and
other
vessels

At
first
try,
coil
built
vessels
are

crude
but
after
some
practice

 they
can
be
very
well
crafted

        and
sophisticated

Among
the
oldest
techniques

   for
building
with
clay

Use
very
thin
scrap
clay
to
create
coils
to

 reinforce
seams.

Roll
a
thin
coil
and
slip

and
score
it
overtop
the
seam.

Blend
and

 smooth
away
the
coil
with
your
fingers.

Do
this
to
the
cylinder
stem
you
created.



Cut
several
even
sized
pieces
of

      clay
onto
your
board
.



Use
a
light,
quick,
back
and
forth

motion
for
rolling
with
only
your

palms,
not
your
fingers.

Every
so

often
dip
your
fingers
in
water
to

moisten
the
snake.

Otherwise
the

   snake
will
crack
and
break.

Start
at
the
center
of
your
clay
and

           work
outwards

Repeat
several
times
to
create
a
stockpile
of
about
5

        snakes
each
about
a
¼”
in
diameter.

 Cut
the
snakes
with
a
bevel
edge
(angled
edge)
to

           ensure
they
will
stick
together


Begin
by
wrapping
a
snake

into
a
spiral.

Score
and
slip

 along
the
top
of
the
spiral

 you’ve
created
and
at
the

end
of
snake
where
it’s
cut

  at
an
angle.

Continue
to

stack,
score
and
slip
coils
to

    create
a
bowl
shape.

 Smooth
the
coils
together

 with
your
fingers
to
begin

  to
make
them
disappear.

What
part
of
your
clay
goblet
could
we

  create
using
the
coiling
method?

Handbuilding
technique.

Typically
used
to
make
semi‐circles
that

can
be
manipulated
into
round
objects

What
part
of
your
goblet
could
we
create

           through
pinching?

Begin
to
build
and
assemble
the
different
pieces
of

 your
goblet.
If
you
don’t
like
what
you
have,
re‐
               wedge
and
re‐work
it

  Everyone
will
encounter
different
challenges
so

please
be
patient
and
try/experiment
to
solve
your

          problem
if
I
can’t
be
with
you

Don’t
worry
about
surface
design
of
your
piece
yet.


            We’ll
look
at
that
in
a
few.

Use
these
techniques
once
you’ve
built
the
basic

            solid
form
of
your
goblet

These
are
the
‘jewelry’
of
clay
handbuilding.

It’s

the
place
you
can
really
let
your
creativity
go
and

             perfect
your
clay
piece

These
surface
design
techniques
take
a
good
deal

       of
patience
and
practice
to
master

Many
different

 tools
to
incise
or

  carve
into
clay

  A
ribbon
tool
is

used
to
gouge
out

   areas
of
clay.


   Different
size

ribbon
tools
create

   different
size

      carvings

Practice
dragging
the
ribbon
tool

 through
a
scrap
slab.

Vary
the

pressure
you
apply
to
see
how
it

 will
affect
how
much
clay
you

            gouge
out

Use
a
needle
tool
or
other
sharp
implement
to

     carve
designs
out
of
your
clay
piece

This
takes
patience
to
do
cleanly.


Oftentimes
you’ll
have
many
clay
‘boogers’

that
will
remain
on
your
clay
piece.

Slightly

   wetting
the
area
you’re
carving
with
a

   damp
sponge
will
help
remove
these

                  boogers

Practice
this
on
a
scrap
slab
using
different

                    tools.

Poking
holes
in
clay
piece
whether
as
part

of
a
design
or
as
part
of
the
function
of
the

                   piece.

When
creating
hollow
forms
it’s
highly

 recommend
to
pierce
holes
in
the
clay
to
allow

 air
to
flow
through
when
being
fired
in
the
kiln.

    Oftentimes
piercing
is
more
successfully

 accomplished
when
the
clay
is
a
slightly
harder

otherwise
the
pressure
of
piercing
can
skew
your

                     form

Practice
piercing
a
scrap
slab
as
a
part
of
a
design

           AND
as
a
functional
air
hole

Slipping
and
scoring
additional

  shapes
and
forms
onto
a
clay

             vessel

  Draw
and
cut
templates
from

scrap
paper
prior
to
cutting
your

        shapes
from
clay

  Use
the
same
techniques
we

used
for
cutting
the
rectangular

 slab
pattern.

Bevel
if
you
wish

but
it’s
not
necessary
here
as
we

     aren’t
seaming
anything

             together


Draw
and
cut
a
few
random
shapes
from
scrap

                    paper

 Put
the
template
onto
a
scrap
slab
and
cut

         around
with
a
fettling
knife

Slip
and
score
the
back
of
your
applique
piece

 and
the
spot
you
want
to
apply
it
to
on
your

scrap
slab.

Reinforce
the
edge
with
a
thin
coil

            you
smooth
from
sight.

Press
different

 textures
or
objects

  into
clay
to
make

        marks

There
are
an
infinite

amount
of
things
out

there
to
impress
into

 clay
so
be
creative

You
can
even
create
your
own.

One
idea:
using

 hot
glue
on
a
solid
surface
to
create
a
design.

 Impress
the
dried
glue
into
clay
and
see
what

                    happens.

  What
can
you
think
of
to
impress
into
clay?

Tin
Foil 
 
Foods 
 


Leaves 
 
Comb/Hairbrush

Sticks 
 
Keys


Buttons 
Rubber
Stamps

Wire 
 
 
Yarn
and
Fibers

Fabric

Lace


Intro To Clay