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Set in the lurid environment of gaming mecca Macau, the movie is notable for assembling good elements, including ‘Conclave’ director Edward Berger, and squandering them.
Frank Dillane delivers a complex performance straddling economic anxiety, arrogance and dignity in “Babygirl” actor Harris Dickinson’s powerful directorial debut.
“The Hurt Locker” director Kathryn Bigelow orchestrates an ominous sense of dread in an apocalyptic procedural co-starring Rebecca Ferguson, Tracy Letts and Idris Elba.
Writer-director Mary Bronstein gives actor Rose Byrne, long a film’s secret weapon, a leading role that allows her to command the screen like never before.
From repressive regimes to questionable selections, the Oscars’ international feature category is a perennial source of controversy. But the obvious fix could actually make things worse.
The director of “Boogie Nights” and “There Will Be Blood” returns with an angry epic about American dissent, born from grappling with Thomas Pynchon’s “Vineland.”
From ‘All the President’s Men’ and ‘The Natural’ to ‘All Is Lost,’ these films capture the legacy of Oscar winner Robert Redford onscreen and behind the camera.
The end of the fall festivals means Oscar season is in full swing. Awards columnist Glenn Whipp handicaps the best picture race as it stands right now.
Times writers share their favorite moments from behind the scenes and on the show, along with one lesser moment.
Columnists Mary McNamara and Glenn Whipp recap the top winners, biggest upsets, most entertaining moments and more from the 2025 Emmy Awards.
