RYB (Subtractive)
Painter’s Primaries
CMY (Subtractive)

Printer’s Primaries
RGB (Additive)
•  Primaries of paint or any
pigmented color, dye, or ink
•  The secondary hues are
orange, green and violet.
•  Derived from natural colors.
RYB (Subtractive)
Painter’s Primaries
CMY (Subtractive)

Printer’s Primaries
•  Primaries of printed material
using process inks.
•  Includes offset lithography,
photography, and computer
printing (inkjet, toner)
RGB (Additive)
•  The system of color that uses
light. When all the primaries are
combined, results in white light.
•  Secondary colors are cyan,
magenta, and yellow.
•  Includes computer monitors,
device screens, televisions, and
stage lighting.
Primary and secondary
color mixture using 

RYB (Subtractive) System
Primary and secondary
creates tertiary colors

RYB (Subtractive) System

Painter’s

Color wheel
Painter’s

Color wheel





Tint: the result
of mixing color
with white



Shade: results
from mixing
color with
black
Tone: color
mixed with
grey
Tint: the result
of mixing color
with white



Shade: results
from mixing
color with
black
Tone: color
mixed with
grey
Complementary colors




This scheme involves using direct opposites
on the color wheel --- Green/red, blue/
orange, Yellow/violet, etc. These colors
enhance one another, producing an almost
vibratory visual sensation when seen side
by side
Complementary color scale



Basic Color schemes
This restrained, peaceful color
scheme consists simply of a slice
of the color wheel “pie” -- a single
hue combined with any of its tints
or shade
Meaning “without color”, an
achromatic scheme consists of
black and white, and the vast
range of grays that can be mixed
from them. Variation is possible --
“warm” and “cool” achromatics
are made by adding a hint of red,
yellow, or blue
Primary and Secondary Schemes
• The most basic of color scheme:
the pure hue of red, yellow, and blue
are combined. The elementary
nature of this color scheme makes it
a favorite for children’s books, toys
and bedrooms.
• The secondary color scheme
combines the secondary hues of
orange, green, and violet. It has a
fresh, uplifting quality and can be
made quite subtle by using tints and
shades of the secondary hues
Analogous
Any three hues that are adjacent to
each other on the color wheel
(including their tints and shades) are
considered analogous. These hues
have a harmonious, pleasing effect
on the eye
Split complementary
The split complementary scheme is
often more pleasing than a true
complementary scheme. Choose a
hue; the hues on either side of its
complement create the split
complementary scheme (orange
with blue-green and blue violet, for
example.
Other combinations
Source for color combinations:

http://colorschemedesigner.com/
Cochineal used as a natural dye in edibles and cosmetics.
The Dutch flag was revised due to instable orange dye.
Napoleon was thought to have died from arsenic
poisoning from the Scheele’s green wallpaper in his room.
The sky is blue due to mie scattering or short wave
lengths of blue light that abound the atmosphere.
Bibliography
• Color Workbook: by Becky Koenig
Prentic Hall
• Color Harmony Workbook: A Workbook and Guide to
creative color combinations
Rockport publishers
• Color : Third edition
Paul Zelanski and Mary Pat Fisher
• Designer’s guide to color 1 - 5: Jeanne Allen
Chronicle Books
• The Secret Language of Color: Joann Eckstut &
Arielle Eckstut (2013)
The Art & Science of Color

The Art & Science of Color

  • 38.
    RYB (Subtractive) Painter’s Primaries CMY(Subtractive)
 Printer’s Primaries RGB (Additive)
  • 40.
    •  Primaries ofpaint or any pigmented color, dye, or ink •  The secondary hues are orange, green and violet. •  Derived from natural colors. RYB (Subtractive) Painter’s Primaries
  • 41.
    CMY (Subtractive)
 Printer’s Primaries • Primaries of printed material using process inks. •  Includes offset lithography, photography, and computer printing (inkjet, toner)
  • 42.
    RGB (Additive) •  Thesystem of color that uses light. When all the primaries are combined, results in white light. •  Secondary colors are cyan, magenta, and yellow. •  Includes computer monitors, device screens, televisions, and stage lighting.
  • 43.
    Primary and secondary colormixture using 
 RYB (Subtractive) System
  • 44.
    Primary and secondary createstertiary colors
 RYB (Subtractive) System

  • 45.
  • 46.
    Painter’s
 Color wheel
 
 
 Tint: theresult of mixing color with white
 
 Shade: results from mixing color with black Tone: color mixed with grey
  • 47.
    Tint: the result ofmixing color with white
 
 Shade: results from mixing color with black Tone: color mixed with grey
  • 48.
    Complementary colors 
 
 This schemeinvolves using direct opposites on the color wheel --- Green/red, blue/ orange, Yellow/violet, etc. These colors enhance one another, producing an almost vibratory visual sensation when seen side by side
  • 49.
  • 50.
    Basic Color schemes Thisrestrained, peaceful color scheme consists simply of a slice of the color wheel “pie” -- a single hue combined with any of its tints or shade Meaning “without color”, an achromatic scheme consists of black and white, and the vast range of grays that can be mixed from them. Variation is possible -- “warm” and “cool” achromatics are made by adding a hint of red, yellow, or blue
  • 51.
    Primary and SecondarySchemes • The most basic of color scheme: the pure hue of red, yellow, and blue are combined. The elementary nature of this color scheme makes it a favorite for children’s books, toys and bedrooms. • The secondary color scheme combines the secondary hues of orange, green, and violet. It has a fresh, uplifting quality and can be made quite subtle by using tints and shades of the secondary hues
  • 52.
    Analogous Any three huesthat are adjacent to each other on the color wheel (including their tints and shades) are considered analogous. These hues have a harmonious, pleasing effect on the eye
  • 53.
    Split complementary The splitcomplementary scheme is often more pleasing than a true complementary scheme. Choose a hue; the hues on either side of its complement create the split complementary scheme (orange with blue-green and blue violet, for example.
  • 54.
    Other combinations Source forcolor combinations:
 http://colorschemedesigner.com/
  • 57.
    Cochineal used asa natural dye in edibles and cosmetics.
  • 59.
    The Dutch flagwas revised due to instable orange dye.
  • 63.
    Napoleon was thoughtto have died from arsenic poisoning from the Scheele’s green wallpaper in his room.
  • 65.
    The sky isblue due to mie scattering or short wave lengths of blue light that abound the atmosphere.
  • 69.
    Bibliography • Color Workbook:by Becky Koenig Prentic Hall • Color Harmony Workbook: A Workbook and Guide to creative color combinations Rockport publishers • Color : Third edition Paul Zelanski and Mary Pat Fisher • Designer’s guide to color 1 - 5: Jeanne Allen Chronicle Books • The Secret Language of Color: Joann Eckstut & Arielle Eckstut (2013)