none 10.1215/9780822397090-029 Duke University Press Duke University Press 73 73024801 1623379 20200827231632851 10.1215 2023-07-31T01:43:17Z 2014-12-23T21:42:56Z 0 10.2307/j.ctv11smnqk.32 Mitsuhiro Yoshimoto Film Studies and Japanese Cinema 2000 978-0-8223-2483-6 978-0-8223-9709-0 Duke University Press 10.1215/9780822397090 http://read.dukeupress.edu/books/book/1782/KurosawaFilm-Studies-and-Japanese-Cinema 2000 348 354 10.1215/9780822397090-029 http://read.dukeupress.edu/books/book/1782/chapter/185355/Kagemusha Eiga o aishita futari: Kurosawa Akira, Mifune Toshiro Abe 1995 Tachikawa bunko no eiyutachi Adachi 1987 Sets in Motion: Art Direction and Film Narrative Affron 1995 10.36019/9781978813199 Nihon no eiga ongakushi 1 Akiyama 1974 Film History: Theory and Practice Allen 1985 The American Film Musical Altman 1989 Film Criticism Altman 17 2–3 1993 Film Studies, Inc.: Lessons from the Past about the Current Institutionalization of Film Studies Film Quarterly Anderson 15 3 55 1962 10.2307/1210629 When the Twain Meet: Hollywood’s Remake of The Seven Samurai Cinema Journal Anderson 17 2 1973 10.2307/1225492 Japanese Swordfighters and American Gunfighters The Japanese Film: Art and Industry Anderson 1982 Concepts in Film Theory Andrew 1984 A New History of French Literature Andrew 1989 1954 January: On Certain Tendencies of the French Cinema Times Literary Supplement Annan 1991 Bomb Culture Chuo koron Aochi 240 1957 Kurosawa Akira The Cambridge Guide to Theatre Banham 1995 Education about Asia Bardsley 1 2 1996 Teaching and Interpreting the Works of Kurosawa Akira Image-Music-Text Barthes 1977 Empire of Signs Barthes 1982 What Is Cinema? Bazin 1967 Bazin at Work: Major Essays and Reviews from the Forties and Fifties Bazin 1997 American Cinema/American Culture Belton 1994 The Chrysanthemum and the Sword: Patterns of Japanese Culture Benedict 1946 American Anthropologist Benett 55 3 1953 The Japanese Critique of the Methodology of Benedict’s Chrysanthemum and the Sword Comparative Literature in the Age of Multiculturalism Bernheimer Introduction: The Anxieties of Comparison Comparative Literature in the Age of Multiculturalism Bernheimer 1995 Comparative Literature in the Age of Multiculturalism Bernheimer The Bernheimer Report, 1993: Comparative Literature at the Turn of the Century Review of Rhapsody in August. American Historical Review Bernstein 98 4 1993 Sight and Sound Blumenthal 34 4 190 1965 Macbeth into Throne of Blood Japanese Film Directors Bock 1978 Kurosawa: Perceptions on Life, an Anthology of Essays Bock The Moralistic Cinema of Kurosawa Film Reader Bordwell 4 45 1979 Our Dream Cinema: Western Historiography and the Japanese Film Wide Angle Bordwell 3 4 1985 Review of To the Distant Observer: Form and Meaning in the Japanese Cinema, by Noël Burch Ozu and the Poetics of Cinema Bordwell 1988 Making Meaning: Inference and Rhetoric in the Interpretation of Cinema Bordwell 1989 10.4159/9780674028531 Film Criticism Bordwell 17 2–3 1993 Film Interpretation Revisited Post-Theory: Reconstructing Film Studies Bordwell 1996 Handbook of Theory and Research for the Sociology of Education Bourdieu 1986 The Form of Capital Sight and Sound Brook 34 2 66 1965 Shakespeare on the Screens Comparative Literature in the Age of Multiculturalism Brooks Must We Apologize? Village Voice Brown 1991 Her Way Screen/Play: Derrida and Film Theory Brunette 1989 Isetsu Kurosawa Akira Bungei 1994 October Burch 1 32 1976 10.2307/778505 To the Distant Observer: Towards a Theory of Japanese Film To the Distant Observer: Form and Meaning in the Japanese Cinema Burch 1979 Cinema: A Critical Dictionary Burch Akira Kurosawa Theory of Film Practice Burch 1981 10.1515/9781400853366 Life to Those Shadows Burch 1990 Screen Buscombe 14 3 1973 10.1093/screen/14.3.75 Ideas of Authorship Literature/Film Quarterly Cardullo 13 2 112 1985 The Circumstance of the East, the Fate of the West: Notes, Mostly on The Seven Samurai Film Criticism Casebier 7 1 1983 Images of Irrationality in Modern Japan: The Films of Shohei Imamura Quarterly Review of Film Studies Casebier 10 2 166 1985 10.1080/10509208509361259 Turning Back the Clock in Japanese Cinema Studies: Kurosawa, Keiko McDonald, and Tadao Sato East-West Film Journal Chang 3 2 1989 Kagemusha and the Chushingura Motif Kurosawa: Perceptions on Life, an Anthology of Essays Chang 1991 Eiga to Tanizaki Chiba 1989 Audio-Vision: Sound on Screen Chion 1994 Comparative Literature in the Age of Multiculturalism Chow In the Name of Comparative Literature Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Chow 1995 Naruse Mikio no sekkei Chuko 1990 Shakespeare, Cinema, and Society Collick 1989 Film Hieroglyphs: Ruptures in Classical Cinema Conley 1991 The Cinema Book Cook 1985 Rising Sun Crichton 1993 Literature/Film Quarterly Crowl 22 2 109 1994 The Bow Is Bent and Drawn: Kurosawa’s Ran and the Shakespearean Arrow of Desire Comparative Literature in the Age of Multiculturalism Culler 10.1515/9780804771382-014 Comparative Literature, at Last! Bulletin of Concerned Asian Studies Cumings 29 1 6 1997 10.1080/14672715.1997.10409695 Boundary Displacement: Area Studies and International Studies during and after the Cold War Shakespeare and the Moving Image: The Plays on Film and Television Davies 1994 Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Davis 1996 Journal of Japanese Studies Brett 8 2 1982 Review of To the Distant Observer: Form and Meaning in the Japanese Cinema, by Noël Burch Cinema 1: The Movement-Image Deleuze 1986 10.5040/9781350251977 Cinema 2: The Time-Image Deleuze 1989 Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke and Proust de Man 1979 The Samurai Films of Akira Kurosawa Desser 1983 Film Criticism Desser 8 1 1983 Kurosawa’s Eastern ‘Western’: Sanjuro and the Influence of Shane Reframing Japanese Cinema Desser “Ikiru: Narration as a Moral Act.” In Nolletti and Desser Reframing Japanese Cinema Desser 10.1080/10509208309361143 Toward a Structural Analysis of the Postwar Samurai Film Perspectives on Akira Kurosawa Desser Narrating the Human Condition: High and Low and Story-Telling in Kurosawa’s Cinema Ozu’s “Tokyo Story Desser 1997 10.1017/CBO9780511624360 The Force of Vision Dibble Crimes of Meaning: Kurosawa and Allegory War without Mercy: Race and Power in the Pacific War Dower 1986 Japan in War and Peace: Selected Essays Dower 1993 Origins of the Modern Japanese State: Selected Writings of E. H. Norman Dower 1975 Kurosawa: Perceptions on Life, an Anthology of Essays Ehrlich Kurosawa’s Fragile Heroes: Another Look at the Tateyaku East-West Film Journal Ehrlich 6 2 134 1992 Review of The Warrior’s Camera: The Cinema of Akira Kurosawa, by Stephen Prince Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan Ehrlich 1994 The Force of Vision Elisonas The Warrior in the Shadows Cinema Journal Ellis 24 2 47 1985 10.2307/1225364 Ruminations of an Ex-Cinematologist Film Criticism Elsaesser 17 2–3 1993 Film Studies in Search of the Object Eirin: Rekishi to jiken Endo 1973 Akira Kurosawa: A Guide to References and Resources Erens 1979 Quarterly Review of Film Studies Erens 4 2 1979 10.1080/10509207909360991 Post-war Japanese Cinema: The Waves at Genji’s Door Writing and Madness: Literature/Philosophy/Psychoanalysis Felman 1985 Shakespeare on Film Forgens 1977 Journal of Japanese Studies Fowler 22 2 401 1996 10.2307/132979 Reflections on Hegemony, Japanology, and Oppositional Criticism Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone Frayling 1981 Nihon eiga hihan: 1932–1956 Futaba 1992 The Encyclopedia of Movie Awards Gebert 1996 Works and Lives: The Anthropologist as Author Geertz 1988 Post Script Geist 12 1 26 1992 Late Kurosawa: Kagemusha and Ran Ozu’s “Tokyo Story Geist 10.1017/CBO9780511624360.005 Buddhism in Tokyo Story Literature/Film Quarterly Gerlach 1 4 352 1973 Shakespeare, Kurosawa, and Macbeth: A Response to J. Blumenthal Postwar Japan as History Gluck The Past in the Present Akira Kurosawa and Intertextual Cinema Goodwin 1994 Perspectives on Akira Kurosawa Goodwin Akira Kurosawa and the Atomic Age Perspectives on Akira Kurosawa Goodwin 1994 The Force of Vision Gorbman “Ikiru’s Soundtrack Postwar Japan as History Gordon 1993 10.1525/9780520911444 Building a Profession Gossman Out of a Gothic North Building a Profession: Autobiographical Perspectives on the History of Comparative Literature in the United States Gossman 1994 Cultural Capital: The Problem of Literary Canon Formation Guillory 1993 10.7208/chicago/9780226310015.001.0001 Kabuki juhachibanshu Gunji 1965 International Film Prizes: An Encyclopedia Hammer 1991 Kinema junpo Hanada 1959 Ganzo hoseki no kirameki Shakespeare and the Moving Image Hapgood Kurosawa’s Shakespeare Films: Throne of Blood, The Bad Sleep Well, and Ran Japan in the World Harootunian America’s Japan/Japan’s Japan Kanpon chanbara jidaigeki koza Hashimoto 1986 Kabuki no kozo Hattori 1970 Kabuki no ki wado Hattori 1989 Valley of Darkness: The Japanese People and World War Two Havens 1978 Nancho koboshi: Gonancho to Kumazawa-ke ryakki Hayase 1996 Jump Cut Hess 1 19 1974 La Politique des auteurs: Part One: World View as Aesthetic Jump Cut Hess 2 20 1974 La Politique des auteurs: Part Two: Truffaut’s Manifesto Teikoku no ginmaku: Jugonen Senso to Nihon eiga High 1995 Kenyon Review Higham 27 4 737 1965 Kurosawa’s Humanism Kurosawa Akira no eigajutsu Higuchi 1999 Nihon no kindai bijutsu Hijikata 1966 Showa bungakushi Hirano 1963 Mr. Smith Goes to Tokyo: Japanese Cinema under the American Occupation, 1945–1952 Hirano 1992 Literature/Film Quarterly Howlett 24 4 360 1996 Are You Trying to Make Me Commit Suicide? Gender, Identity, and Spatial Arrangement in Kurosawa’s Ran Concise Dictionary of Modern Japanese History Hunter 1984 Ichikawa Kon no eigatachi Ichikawa 1994 Senchu eigashi: Shiki Iijima 1984 Imai Tadashi “zenshigoto”: Sukurin no aru jinsei Imai 1990 Koza Nihon eiga Imamura 8 1985–1988 Newsweek 48 50 1946 Imperial Pretender Eiga shakaigaku Innami 1955 Tsukurareta Katsura Rikyu shinwa Inoue 1986 Eiga joyu Irie 1957 Jibuntachi yo! Itami 1988 Itami Mansaku zenshu Itami 1961 Itami Mansaku essei shu Itami 1971 Jidaigeki eiga no shi to shinjitsu Ito 1976 Discourses of the Vanishing: Modernity, Phantasm, Japan Ivy 1995 10.7208/chicago/9780226388342.001.0001 Sight and Sound Iwabutchi 202 1955 1954 in Japan Nation Iwasaki 398 1956 Japan’s New Screen Art: More Real than Rashomon Chuo koron Iwasaki 223 1957 Kurosawa Akira no sekai Eiga ni miru sengo sesoshi Iwasaki 1973 Nihon eiga shishi Iwasaki 1977 Eiga no maesetsu Iwasaki 1981 The Rise of the American Film: A Critical History Jacobs 1968 Signatures of the Visible Jameson 1990 Postmodernism, or The Cultural Logic of Late Capitalism Jameson 1991 The Identity in Question Jameson 1995 On Cultural Studies Shumi no tanjo: Hyakkaten ga tsukutta teisuto Jinno 1994 Explorations: Essays in Comparative Literature Jones 1986 The Lower Depths: Gorky, Stanislavsky, and Kurosawa Shakespeare on Film Jorgens 1977 Cineaste Kaplan 10 42 1979–1980 A Second Look: Akira Kurosawa’s Seven Samurai Hitchcock: The Making of a Reputation Kapsis 1992 10.7208/chicago/9780226824659.001.0001 Imi to iu yamai Karatani 1989 Origins of Modern Japanese Literature Karatani 1993 10.1215/9780822378440 Nihon no taishu geijutsu Kata 1962 Kanojo ga enjita yaku: Hara Setsuko no sengo shuensaku o mite kangaeru Kataoka 1994 Sukyandaru no Showashi Kato 1985 Kato Tai eiga o kataru Kato 1994 The Force of Vision Kawamoto 1995 Ima hitotabi no sengo Nihon eiga Kawamoto 1994 Kimi uruwashiku: Sengo Nihon eiga joyu son Kawamoto 1996 Kabuki: Japanese Drama Kawatake 1958 Gaisetsu Nihon engekishi Kawatake 1966 Nihon no Hamuretto Kawatake 1972 Engeki gairon Kawatake 1978 Kabuki biron Kawatake 1989 Grand Street Keene 1 4 140 1982 10.2307/25006450 Kurosawa Dawn to the West: Japanese Literature of the Modern Era (Fiction) Keene 1984 Film Theory and Criticism Kermode 1974 Shakespeare in the Movies Eiga geijutsu Kikushima 129 36 1958 Atarashii jidaigeki Zasshi de yomu sengoshi Kimoto 1985 Taishu bungaku jurokko Kimura 1993 Quarterly Review of Film Studies Kinder 1 4 1976 10.1080/10509207609360966 Establishing a Discipline for the Teaching of Film: Criticism and the Literary Analogue Literature/Film Quarterly Kinder 5 1977 Throne of Blood: A Morality Play Film Quarterly Kinder 34 44 1980–1981 10.2307/1211913 Kagemusha Journal of Film and Video Kirihara 39 1 1987 Critical Polarities and the Study of Japanese Film Style Patterns of Time: Mizoguchi and the 1930s Kirihara 1992 Kurosawa Akira Shusei Kitagawa Review of Throne of Blood Reframing Japanese Cinema Komatsu Some Characteristics of Japanese Cinema before World War I Revolution and Subjectivity in Postwar Japan Koschmann 1996 Invisible Storytellers: Voice-Over Narration in American Fiction Film Kozloff 1988 Geino. Vol. 18 of Nihon kindai shiso taikei Kurata 1988 Kurosawa Akira eiga taikei Kurosawa 1970–1971 Akuma no yo ni saishin ni! Tenshi no yo ni daitan ni! Kurosawa 1975 Kagemusha Kurosawa 1979 Something like an Autobiography Kurosawa 1983 Gama no abura: Jiden no yona mono Kurosawa 1984 Zenshu Kurosawa Akira Kurosawa 1987–1988 “Seven Samurai” and Other Screenplays Kurosawa 1992 Kinema junpo Kurosawa part 1 1992 Hachigatsu no rapusodi kansei daihon Madadayo Kurosawa 1993 Yume wa tensai de aru Kurosawa 1999 Chuo koron Kurosawa 240 1956 Ningenzo seisakuho Sekai Kurosawa 269 1984 Kurosawa Akira no sekai Kurosawa Akira no zenbo 1985 Kurosawa Akira shusei 1989 Kurosawa Akira shusei 1991 Kurosawa Akira shusei 1993 Bungei shunju Kusayanagi 188 1971 Za man Kurosawa Akira Kaizo Kuwabara 132 1954 Shichinin no samurai Life Lauterbach 32 1946 The True Emperor of Japan? On Autobiography Lejeune 1989 Structural Anthropology Claude 1963 Grounds for Comparison Levin 1972 10.4159/harvard.9780674424906 Film Culture Leyda 2 4 3 1965 Modesty and Pretension in Two New Films The Image of the City Lynch 1960 What Time Is This Place? Lynch 1972 Eiga tosei: Ten no maki Makino 1977 Screen Malcomson 26 3–4 1985 The Pure Land beyond the Seas: Barthes, Burch, and the Uses of Japan Literature/Film Quarterly Malpezzi 17 3 202 1989 The Double and the Theme of Selflessness in Kagemusha Literature/Film Quarterly Manheim 22 2 129 1994 The Function of Battle Imagery in Kurosawa’s Histories and Henry V Films Shakespeare and the Film Manvell 1971 Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction Marchetti 1993 A Contribution to the Critique of Political Economy Marx 1904 Film Theory and Criticism: Introductory Readings Mast 3d 1985 Gendai Nihon eigaron taikei Masumura 1970 ‘Kakushitoride no san akunin’ to Kurosawa Akira Kurosawa Akira shusei Masumura Sodai ni shite hiso na tensai Kinema junpo Masumura part 2 70 1972 Nihon eiga ni tsuite kataro Nihon shingekishi: Shingeki binbo monogatari Matsumoto 1966 Film Criticism Maxfield 18 1 1993 The Moral Ambiguity of Kurosawa’s Early Thrillers Japanese Classical Theater in Films McDonald 1994 The Waves at Genji’s Door: Japan through Its Cinema Meilen 1976 The Imaginary Signifier: Psychoanalysis and the Cinema Metz 1982 10.1007/978-1-349-05103-8 Giri to ninjo Minamoto 1969 Teikoku Gekijo kaimaku Mine 1996 Quarterly Review of Film, Radio, and Television Miner 10 4 1956 Japanese Film Art in Modern Dress The Princeton Companion to Classical Japanese Literature Miner 1985 Westerns: Making the Man in Fiction and Film Mitchell 1996 Iconology: Image, Text, Ideology Mitchell 1986 10.7208/chicago/9780226148052.001.0001 Katsura Rikyu: Bruno Tauto wa shogensuru Miyamoto 1995 Off Center: Power and Culture Relations between Japan and the United States Miyoshi 1991 As We Saw Them: The First Japanese Embassy to the United States Miyoshi 1994 Postmodernism and Japan Miyoshi 1989 10.1215/9780822381556 Japan in the World Miyoshi 1993 10.1215/9780822381808 Eiga geijutsu Mori 5 3 2 1950 Jidaigeki eiga no unmei ni tsuite Mori Kazuo eigatabi Mori 1989 The Nobility of Failure: Tragic Heroes in the History of Japan Morris 1975 Award Winning Films: A Viewer’s Reference to 2,700 Acclaimed Motion Pictures Mowrey 1994 Nihon no taishu engeki Mukai 1962 Iero feisu: Hariuddo eiga ni miru Ajiajin no shozo Murakami 1993 Muraki Yoshiro no eiga bijutsu: Kurosawa eiga no dezain Muraki 1998 Japanese Women Writers: Twentieth Century Short Fiction Murata 1991 In the Pot Tate: Chanbara eigashi Nagata 1993 Japan: The Intellectual Foundations of Modern Japanese Politics Najita 1974 Postmodernism and Japan Najita On Culture and Technology in Postmodern Japan Nakamura Mitsuo zenshu Nakamura 1972 ‘Yabu no naka’ kara Nakamura Mitsuo zenshu Nakamura 1972 Futatabi ‘Yabu no naka’ o megutte Nakamura Mitsuo zenshu Nakamura 1973 Meiji bungakushi Genre Neal 1980 The Force of Vision Neumeyer Hayasaka’s Music for Rashomon Concepts of Criticism Nichols 1963 Nihon eigashi 1976 Nihon eiga haiyu zenshu: Danyu hen 1979 Nihon eiga haiyu zenshu: Joyu hen 1980 Nihon eiga terebi kantoku zenshu 1988 Kyosho no mechie: Kurosawa Akira to sutaffutachi Nishimura 1987 Kurosawa Akira: Oto to eizo Nishimura 1990 Ichikawa Danjuro Nishiyama 1960 Reframing Japanese Cinema: Authorship, Genre, History Nolletti 1992 Western American Literature Nolley 11 3 231 1976 10.1353/wal.1976.0020 The Western as Jidai-Geki Chuo koron Noma 1949 Norainu no mondai Eiga geijutsu Nosaka 23 1967 Kurosawa Akira ron Wide Angle Nygren 11 3 6 1989 Reconsidering Modernism: Japanese Film and the Postmodern Context Quarterly Review of Film and Video Nygren 13 1–3 173 1991 10.1080/10509209109361375 Doubleness and Idiosyncrasy in Cross-Cultural Analysis Kyojin to shonen: Kurosawa Akira no joseitachi Ogata 1992 Gendai Nihon eigaron taikei Ogawa 1970–1971 Eiga geijutsu Ogi 129 28 1958 Taishu jidaigeki ron Chanbara geijutsushi Oi 1959 Figures of Resistance: Language, Poetry, and Narrating in “The Tale of Genji” and Other Mid-Heian Texts Okada 1991 10.1215/9780822381723 Eiga geijutsu Okada 57 1963 Kurosawa Akira no dorama kozo o bunseki suru Orality and Literacy: The Technologizing of the Word Ong 1989 Taikenteki sengo eizoron Oshima 1975 Sengo 50 nen eiga 100 nen Oshima 1995 Education about Asia Otis 2 1 1997 Japanese Folklore and Kurosawa’s Dreams Taishu bungaku Ozaki 1980 University of Toronto Quarterly Parker 55 4 412 1986 10.3138/utq.55.4.412 Ran and the Tragedy of History Japan Forum Parker 8 1 1996 10.1080/09555809608721561 Taking Traditional Plots beyond the Traditional Theatre: Some Modern Versions of Ataka/Kanjincho Shakespeare and the Moving Image Pearlman “Macbeth on Film: Politics Comparative Literature in the Age of Multiculturalism Perloff ‘Literature’ in the Expanded Field The Award Movies: A Complete Guide from A to Z Pickard 1981 Jump Cut Polan 26 63 1981 Formalism and Its Discontent Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950 Polan 1986 10.7312/pola92384 Modern Japan: Aspects of History, Literature, and Society Powell 1975 Matsui Sumako: Actress and Woman Post Script Prince 7 2 4 1988 Zen and Selfhood: Patterns of Eastern Thought in Kurosawa’s Films The Warrior’s Camera: The Cinema of Akira Kurosawa Prince 1991 Post Script Prince 11 1 1991 Memory and Nostalgia in Kurosawa’s Dream World Film Criticism Ray 17 2–3 1993 Film Studies/Crisis/Experimentation The Avant-Garde Finds Andy Hardy Ray 1995 The Ministry of Illusion: Nazi Cinema and Its Afterlife Rentschler 1996 Variety 1991 Review of Rhapsody in August Literature and Film Richardson 1969 Films in Review Richie 273 1955 The Unexceptional Japanese Films Are More Preferred in Japan than Those That Intrigue the West Japanese Movies Richie 1961 The Japanese Movies: An Illustrated History Richie 1966 Ozu Richie 1974 Asian Cinema Richie 7 2 3 1995 10.1386/ac.7.2.3_1 The Japanese Film: A Personal View—1947–1995 The Films of Akira Kurosawa Richie 3d 1998 Film Quarterly Richie 12 1 1958 10.2307/3186070 Traditional Theater and the Film in Japan: The Influence of the Kabuki, Noh, and Other Forms on Film Content and Style Sight and Sound Romney 1992 Review of Rhapsody in August Iris Rosen 2 2 1984 History, Textuality, Nation: Kracauer, Burch, and Some Problems in the Study of National Cinemas Building a Profession Rosenmeyer Am I a Comparatist? Cinema: A Critical Dictionary Roud 1980 Sakaguchi Ango zenshu Sakaguchi 1990 Nihon bunka shikan Shizansareru nihongo nihonjin Sakai 1996 Dai Toa Senso to Nihon eiga: Tachimi no senchu eigaron Sakuramoto 1993 Film Theory and Criticism Sarris Notes on the Auteur Theory in 1962 Oto no nai eigakan Sato 1986 300/40: Sono e, oto, hito Sato 1994 Eiga geijutsu Sato 15 1965 Kurosawa Akira to Masumura Yasuzo: Akahige to Heitai yakuzae Nihon eiga shisoshi Sato 1970 Hasegawa Shin ron Sato 1975 Chushingura: iji no keifu Sato 1976 Kimi wa jidaigeki eiga o mitaka Sato 1977 Kurosawa Akira no sekai Sato 1986 Cineaste Sato 19 1 1992 Kurosawa’s Rhapsody in August: The Spirit of Compassion Otoko arite: Shimura Takashi no sekai Sawachi 1994 Japan Quarterly Schilling 484 1991 The Political Incorrectness of Kurosawa Akira Literature/Film Quarterly Schneider 3 1 1975 Literature and Film: Marking Out Some Boundaries Transcendental Style in Film: Ozu, Bresson, Dreyer Schrader 1972 Film Comment Seltzer 29 1993 Seeing through the Eyes of the Audience Senso to eiga Shimizu 1994 Nichi-Bei eigasen: Paru Haba 50-syunen Shimizu 1991 Shosetsu Tanaka Kinuyo Shindo 1986 Nihon eiga gojunen shi: 1941–91–nen Shioda 1992 Japan Quarterly Silverstein 12 3 351 1965 Kurosawa’s Detective-Story Parables Literature/Film Quarterly Simone 3 1 2 1975 The Mythos of ‘The Sickness unto Death’: Kurosawa’s Ikiru and Tolstoy’s The Death of Ivan Ilych Journal of Japanese Studies Smith 4 1 45 1978 10.2307/132072 Tokyo as an Idea: An Exploration of Japanese Urban Thought until 1945 Clint Eastwood: A Cultural Production Smith 1993 10.4324/9780203499351 Cinema Journal Staiger 24 3 1985 10.2307/1225428 The Politics of Film Canons Interpreting Films: Studies in the Historical Reception of American Cinema Staiger 1992 10.1515/9780691216065 New Vocabularies in Film Semiotics: Structuralism, Poststructuralism, and Beyond Stam 1992 Manifest Destiny: American Expansion and the Empire of Right Stephanson 1995 Jiji shinpo Suematsu 6–12 1886 Engeki kairyo enzetsu Rappa to yobareta otoko: Eiga purodyusa Nagata Masaichi Suzuki 1990 Nihon no “bungaku” o kangaeru Suzuki 1994 Engeki to wa nanika Suzuki 1988 Fukusei geijutsuron Tada 1962 East-West Film Journal Tada 1 1 1986 The Destiny of Samurai Films Kikigaki Arakan ichidai: Kurama Tengu no ojisan wa Takenaka 1976 Yamagami Itaro no sekai Takenaka 1976 Nihon to Ajia Takeuchi 1993 Koza Nihon eiga Takizawa Jidaigeki to wa nani ka: Chuji tabinikki o chushin to shite Nihon eiga hattatsushi Tanaka 1975–76 In Praise of Shadows Tanizaki 1977 Nippon Taut 1991 Present/Past: Modernity and the Memory Crisis Terdiman 1993 10.7591/9781501717604 East–West Film Journal Thompson 3 2 1 1989 Kurosawa’s Ran: Reception and Interpretation Asian Cinema Thornton 7 2 46 1995 10.1386/ac.7.2.46_1 The Shinkokugeki and the Zenshinza: Western Representational Realism and the Japanese Period Film On Human Diversity: Nationalism, Racism, and Exoticism in French Thought Todorov 1993 Toei junenshi 1962 Eiga geijutsu Togawa 56 1954 Hitsunaru ningenkan: Shichinin no samurai Kurosawa Akira shusei III Togawa Kurosawa Akira no shikaku gengo Eiga geijutsu Toida 51 1957 Kurosawa Akira no tokushitsu Eiga geijutsu Toida 129 46 1958 Jidaimono to engi no dento Nihon eigakushi no kenkyu Toyoda 1939 Shakespeare in Japan: An Historical Survey Toyoda 1940 Kurosawa san! Kurosawa Akira tono subarashiki hibi Tsuchiya 1999 Koza nihon eiga Tsurumi 1986 Sengo no taishu bunka Tenko kenkyu Tsurumi 1991 Kauboi no Beikoku shi Tsuruya 1989 Eiga sangyo hakusho: Waga kuni eiga sangyo no genjo to shomondai Tsusho 1963 Jidaigeki eiga towa nanika: Nyu firumu sutadizu Tsutsui 1997 Kurosawa Akira Tsuzuki 1976 Eiga geijutsu Uchida 129 34 1958 Jidaigeki wa kawatte yuku Nikutai no jidai: Taikenteki ’60-nendai bunkaron Ueno 1989 Film Quarterly 16 3 1963 University Film Teaching in the United States Eiga henshu to wa nanika: Uraoka Keiichi no giho Uraoka 1994 Eigateki seishin no keifu Uryu 1947 Eiga geijutsu Uryu 100 43 1956 Ikimono no kiroku: Kyomi bukai hasso Eiga geijutsu Uryu 26 1962 Shinpojiumu Kurosawa Akira Japanese Culture Varley 3d 1984 10.1515/9780824885762 Kabuki: Kajonaru kigo no mori Watanabe 1993 Kanjincho: Nihonjinron no genzo Watanabe 1995 Concepts of Criticism Wellek The Crisis of Comparative Literature Framework Whitaker 11 47 1979 Review of To the Distant Observer: Form and Meaning in the Japanese Cinema, by Noël Burch Japan Quarterly Wolf 19 83 1972 Detectives and Doctors Yale Review Wolf 64 2 218 1974 On Akira Kurosawa Signs and Meaning in the Cinema Wollen 1972 Hitchcock’s Films Revisited Wood 1989 The Force of Vision Kawamoto Workshop Discussion: Kurosawa Kaleidoscope Sixguns and Society: A Structural Study of the Western Wright 1975 10.1525/9780520340787 Film Comment Yakir 16 6 54 1980 The Warrior Returns Koza Nihon eiga Yamamoto Jugonen senso ka, Nihon no senso eiga Katsudoya suiro Yamamoto 1965 Nihon eiga ni okeru gaikoku eiga no eikyo: Hikaku eigashi kenkyu Yamamoto 1983 Nichinichi heian Yamamoto 1965 Kisetsu no nai machi Yamamoto 1970 Meiji shoki hon’yaku bungaku no kenkyu Yanagida 1961 Yodagawa Nagaharu Kurosawa Akira o kataru Yodagawa 1999 Itami Mansaku Yoneda 1985 Mo hitotsu no eigashi: Katsuben no jidai Yoshida 1978 Gendai shiso Yoshihara 24 3 21 1996 ‘Hankai’ Nihon: ‘Venisu no shonin’ Meijiki hon’an Japan in the World Yoshimoto The Difficulty of Being Radical: The Discipline of Film Studies and the Postcolonial World Order Cultural Nationalism in Contemporary Japan Yoshino 1992 The Decolonization of Imagination: Culture, Knowledge, and Power Yoshioka 1995 Samurai and Self-Colonization in Japan Literature/Film Quarterly Zambrano 2 1974 Throne of Blood: Kurosawa’s Macbeth The Sublime Object of Ideology Žižek 1989 Everything You Always Wanted to Know about Lacan (but Were Afraid to Ask Hitchcock) Žižek 1992