Somewhere in Edinburgh Renton overdoses on Mother superiors Heroin. As his life fades away, the synapses fire and Renton is thrown into a fantasy world.

Two hippy space priests get involved with private business and, like a true pair of Karen’s, make it all about them. Obi wan more hit and Qui gon sick boy get chased by security through Edinburgh’s scenery and discover Jar Jar spud. Together our gang of intrepid heroes make their way to the underage Queen…

Is the film about identity, mental illness, relationships, compulsions, voyeurism, grief, addiction or all of the above?

Captivating, measured and shocking. Cronenberg Jr gives us these dream like visuals that slowly warp into a nightmare. These are aided by these realistic and shocking moment of violence. Deep red blood smears the clinically clean sets and stains your mind. 

The special effects are incredible. The violence is as shocking thanks to the very realistic effects. The merging of mind and body…

A really fun, high-concept sci-fi that’s easy to get pulled into, even if it drags a little in the middle.

It’s packed with ideas — science puzzles, problem-solving, constant “how do we fix this?” energy — and when it’s firing, it’s hard to put down. The structure works well too, slowly revealing things while keeping momentum going.

But it does get bogged down. The middle stretches, the problem-solving starts to feel repetitive, and there’s a whole lot of silly baked…

Hammer doing something a bit different with a familiar story.

This isn’t your usual bandaged mummy shuffling about. Blood from the Mummy’s Tomb leans into possession, reincarnation, and that slow, creeping sense that something isn’t right. It’s quieter, moodier, and a lot more unsettling than you’d expect.

Valerie Leon is the film. Cold, hypnotic, and just slightly off in a way that keeps you locked in. You’re never fully sure what you’re watching — and that’s where the film gets…

A proper Larry Cohen oddity — low budget, high concept, and just messy enough to make it interesting.

Special Effects has a great hook: filmmaking, manipulation, blurred reality, all wrapped up in that scrappy, anything-goes Cohen style. It never feels polished, but that’s part of the charm. You can feel the ideas pushing through the limitations.

The performances are… hit and miss. Some moments land, others feel a bit off, but it kind of suits the film’s rough edges. This…